Necklace Parts, Handmade Parts: Cherry Blossom, Striped Ebony, Rosewood

¥1,100

A charming wooden necklace.
Each one is a unique piece, carefully crafted by an artisan on a potter's wheel.

They come in various sizes, wood grains, and shapes.

As they have a natural wood finish, they will develop a richer luster and change in color over time with use.

If you have any preferences for size or shape, please let us know when ordering.

  
ラッピングの詳細はこちらでご確認ください。
        

The distinctive black patterns are said to appear in only one out of 300 trees that are over 100 years old, making this a mysterious and unique material that cannot be artificially created.

 

Simply add a cord and it's complete! Why not create your own special, one-of-a-kind necklace?

It also makes a great gift.

Size: Oval, length approximately 3cm to 5cm, diameter approximately 1.5cm to 2cm

    

Hole for cord is approximately 6mm. Strap and cord are not included.


[Care Instructions]

  • Occasionally wipe with a soft cloth. Alternatively, you may simply run your hands over the entire surface each time you use it.
  • If it gets wet, wipe it off immediately (excluding fuki-urushi lacquerware products).
  • Do not place in direct sunlight or in hot, humid locations.

[About the Artisan]

Woodturner Yoshizou Nishiwaki
(Member of the Japan Woodturning Association, Nagano Prefecture Woodcraft Instructor)

Our products originate from the search for raw timber by my predecessor.
Starting in Nagano Prefecture, he would search for trees with lumberjacks in neighboring prefectures, and the artisan himself would fell them. There were many years when enough high-quality timber to fill several trucks was prepared, but with each passing year, large, aged trees became scarcer. Even if purchased from the market, they would be quite expensive, so we carefully craft products from the raw timber left by my predecessor.
I have a sense of mission to show gratitude for such precious wood and to bring out its maximum beauty.
Woodcraft may seem simple and understated at first glance, but I believe it is a job that can convey the evidence of a tree's life, whether it be for decades or centuries. By carefully allowing the raw timber to rest for decades, the wood is taught to remember the four seasons, and I determine the timing for production with my own hands. Perhaps only those who have handled wood for many years can hear the voice of the wood.

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