Apple pen holder

¥1,650

This pen stand is designed to evoke the image of a Shinshu apple.
With its smooth wood finish and rounded shape, you'll instinctively want to touch it.
Wood also has a calming effect, so why not incorporate it into your daily life through an everyday item?

Please note that you cannot choose the wood grain for this product. Thank you for your understanding.


  
ラッピングの詳細はこちらでご確認ください。
        

Each item is handcrafted without the use of molds.

The shape, size, and wood grain shown are examples.

Persimmon wood, in particular, has significant individual variations in color. Please inform us of any specific requests when placing your order.

The holes in the pen holders are sized to fit standard ballpoint pens. Some items have slightly larger holes.

Please choose between mulberry or persimmon wood.

~Product Details~

Diameter: Approx. 5-6 cm  Height: Approx. 5-6 cm

We also have apple-shaped小物 holders.

[Care Instructions]

  • Occasionally wipe with a soft cloth. Alternatively, you may simply run your hands over the entire surface each time you use it.
  • If it gets wet, wipe it off immediately (excluding fuki-urushi lacquerware products).
  • Do not place in direct sunlight or in hot, humid locations.

[About the Artisan]

Woodturner Yoshizou Nishiwaki
(Member of the Japan Woodturning Association, Nagano Prefecture Woodcraft Instructor)

Our products originate from the search for raw timber by my predecessor.
Starting in Nagano Prefecture, he would search for trees with lumberjacks in neighboring prefectures, and the artisan himself would fell them. There were many years when enough high-quality timber to fill several trucks was prepared, but with each passing year, large, aged trees became scarcer. Even if purchased from the market, they would be quite expensive, so we carefully craft products from the raw timber left by my predecessor.
I have a sense of mission to show gratitude for such precious wood and to bring out its maximum beauty.
Woodcraft may seem simple and understated at first glance, but I believe it is a job that can convey the evidence of a tree's life, whether it be for decades or centuries. By carefully allowing the raw timber to rest for decades, the wood is taught to remember the four seasons, and I determine the timing for production with my own hands. Perhaps only those who have handled wood for many years can hear the voice of the wood.

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