Black Persimmon Necklace Component Oval Handmade Part

¥2,200

A charming wooden necklace.
Each piece is one-of-a-kind, carefully turned on a potter's wheel by an artisan.

It's large and makes a statement, but it's lightweight and comfortable to wear, easily matching any outfit, from T-shirts and blouses in summer to turtleneck sweaters in winter.
Its smooth finish makes it a good match even for delicate clothing like sweaters.

Because it has a natural wood finish, its luster will increase and its color will change with use.


The patterns of the black persimmon wood vary from piece to piece.
The price is uniform, but you can choose between larger or smaller sizes.
If you have a preference for the pattern, please let us know when ordering.

  
ラッピングの詳細はこちらでご確認ください。
        

The unique black patterns are said to only appear in one out of 300 trees that are over 100 years old, making this a mysterious and exceptional material that cannot be artificially created.

 

Just add a cord and it's complete! Why not try making your own unique, one-of-a-kind special necklace?

It also makes a great gift.

Sizes: Small oval length approx. 2.5cm - 3cm, diameter approx. 1.5cm - 2cm

    Large oval length 3cm or more, diameter around 2cm

Cord hole approx. 6mm. Strap and cord not included.


[Care Instructions]

  • Occasionally wipe with a soft cloth. Alternatively, you may simply run your hands over the entire surface each time you use it.
  • If it gets wet, wipe it off immediately (excluding fuki-urushi lacquerware products).
  • Do not place in direct sunlight or in hot, humid locations.

[About the Artisan]

Woodturner Yoshizou Nishiwaki
(Member of the Japan Woodturning Association, Nagano Prefecture Woodcraft Instructor)

Our products originate from the search for raw timber by my predecessor.
Starting in Nagano Prefecture, he would search for trees with lumberjacks in neighboring prefectures, and the artisan himself would fell them. There were many years when enough high-quality timber to fill several trucks was prepared, but with each passing year, large, aged trees became scarcer. Even if purchased from the market, they would be quite expensive, so we carefully craft products from the raw timber left by my predecessor.
I have a sense of mission to show gratitude for such precious wood and to bring out its maximum beauty.
Woodcraft may seem simple and understated at first glance, but I believe it is a job that can convey the evidence of a tree's life, whether it be for decades or centuries. By carefully allowing the raw timber to rest for decades, the wood is taught to remember the four seasons, and I determine the timing for production with my own hands. Perhaps only those who have handled wood for many years can hear the voice of the wood.

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